| Maria Pawlikowska-Jasnorzewska | |
|---|---|
Maria Pawlikowska-Jasnorzewska (Pastel by Witkacy) |
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| Born | November 24, 1891 Kraków, Poland |
| Died | July 9, 1945 Manchester, England |
| Occupation | Poet, dramatist |
| Language | Polish |
| Nationality | Polish |
| Period | Poland's interwar period |
| Notable work(s) | Baba-dziwo Gołąb ofiarny |
| Spouse(s) | Władysław Bzowski (1915-1929) Jan Pawlikowski (1919-1929) Stefan Jasnorzewski (1931) |
Maria Pawlikowska-Jasnorzewska, née Kossak (24 November 1891 – 9 July 1945), was a Polish poet known as the Polish Sappho and "queen of lyrical poetry" of Poland's interwar period.[1] Fluent in French, English, and German, she married three times and lived the life of a world traveller.
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Born in Kraków to a family of artists, Maria Kossak grew up around painters, writers, and intellectuals. Her grandfather, Juliusz Kossak, and father, Wojciech Kossak, were both professional painters famous for their historical paintings. Her younger sister, Magdalena Samozwaniec, was also a popular writer.
In her youth, Kossak painted as often as she wrote poetry. It was only during her marriage to Jan Pawlikowski — after the invalidated first marriage to Władysław Bzowski — that her literary interests prevailed, inspired by the couple's discussions about her poetic output and the world of literature in general. Their passionate relationship based on shared interests and mutual love was the endless source of her poetic inspiration. However, the second marriage didn't last either.
Following her divorce, Maria Pawlikowska became active in the community of poets from the Warsaw-based Skamander group: Julian Tuwim, Jan Lechoń, Kazimierz Wierzyński, and renowned writers such as Jarosław Iwaszkiewicz, Irena Krzywicka, Kazimiera Iłłakowiczówna and Tadeusz Boy-Żeleński. During the inter-war period Pawlikowska-Jasnorzewska published twelve volumes of poetry and established herself as one of the most innovative poets of the era.
She began her career as a playwright in 1924, with her first farce, Archibald the Chauffeur, produced in Warsaw. By 1939 she had written fifteen plays whose treatment of taboo topics such as abortion, extramarital affairs, and incest provoked scandals. She was compared by critics to Molière, Marivaux, Oscar Wilde, George Bernard Shaw, and Witkacy.[2] Her plays depicted her unconventional approach to motherhood, which she understood as a painful obligation that ends mutual passion. She spoke in support of a woman's right to choose according to her needs and feelings.
In 1939, at the onset of World War II, she followed her third husband, Stefan Jasnorzewski, to England. She was diagnosed with cancer in 1944, became semi-paralyzed, and on 9 July 1945 died in Manchester, cared for by her husband.
In 1937 Pawlikowska-Jasnorzewska wrote a controversial play, Baba-dziwo, which has been translated into English by Elwira M. Grossman and Paul J. Kelly as A Woman of Wonder.
A Woman of Wonder depicts the ruthless dictatorship of [Her Highness] Valida Vrana in a country called Ritonia. Under Valida, people are ranked according to the number of children they have, with boys being the preferred sex. In Ritonia motherhood is not only a compulsory duty but also a tribute to "Her Motherly Highness." Thus the lives of women are reduced to a basic procreative function. The plot centres on the way a childless couple, Petronika and Norman, cope with this regime. Petronika is a chemist and Norman is a former governmental minister who lost his job because of his wife's insubordination. Unlike Petronika, Norman maintains the illusion of being Valida's faithful follower, even though he despises her. This difference in attitude creates tension in the marriage and even though Petronika asks for a divorce, the couple eventually remains together. While Norman waits passively for better times, Petronika prepares a secret weapon in her laboratory. Knowing Valida's weakness for perfume, she creates an intoxicating substance that eventually renders the vicious ruler powerless.[1]